“I think the ECA should be members of the Executive Committee because they are stakeholders and it’s always good to involve stakeholders in the decision making process,” he adds. “If you decide on something without asking anybody else, you’re always going to run into problems. As for the changes to the format, we have to be realistic: the big five countries bring in [around] 86 percent of all the money and take 60 percent.

The Times Literary Supplement (2011)It is always possible to tweak an engine to alter the balance between these considerations. Times, Sunday Times (2013)They change colour and alter the mood. Times, Sunday Times (2008)Everyone will have recognised that we needed to alter the structure.

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Educational Psychology in a Changing World (1988)The prize also includes transfers at the destination. Times, Sunday Times (2008)This transfers heat from the stale air leaving the building to the fresh air coming in. Times, Sunday Times (2008)Witnesses saw the haul being transferred to another vehicle before the van was found torched.

Gil Lamaignere, R. Hess, S. Salvenmoser, K. Furono entrambi candidati all’Oscar, e la Dennis lo vinse, tuttavia rimasero schiacciati dall’interpretazione travolgente e buffonesca di Elizabeth Taylor e Richard Burton. Con questo film Segal aveva dimostrato una felice attitudine a rappresentare l’intellettuale un po’ debole, mentre continuava ad apparire meno interessante in ruoli drammatici più semplici, come l’agente segreto di Quiller memorandum (The Quiller Memorandum, 1966) o il gangster nel Massacro del giorno di San Valentino (The St Valentine’s Day Massacre, 1967), o un soldato nel Ponte di Remagen (The Bridge at Remagen, 1969). Nello stesso periodo anche la televisione americana gli fece una serie di proposte.Le inclinazioni di Segal per la commedia leggera si evidenziano con chiarezza in Non si maltrattano così le signore (No Way to Treat a Lady, 1968), nel quale interpreta la parte di un detective un po’ timido e diffidente, coinvolto in una delicata storia d’amore con una bella donna testimone di un misterioso delitto, che lo aiuterà a sfuggire ai dominio della madre.Nel 1970 Segal diede il meglio di sé nella commedia, interpretando Il gufo e la gattina (The Owl and the Pussycat) e Senza un filo di classe (Where’s Poppa?).